HOW TO BEAD A ROGUE
…A Guide For The Aspiring Bead Artist
by Warren S. Feld
Excerpts From This Ever-Evolving Tale.....
I don’t mean
to drag a poor Elephant by its tail, kicking and screaming, into our bead world
against its wishes. Nor do I perceive the elephant to be a threat, like you
might see an Elephant in the boudoir, or the fine china store. And I don’t
want you to shut your eyes and pretend not to notice that this Elephant is here,
standing shoulder to shoulder with every beader and jewelry maker around.
The Elephant is not a joke. And the fact that it is “Rogue” makes it more important than ever to figure out why it’s here, among size #10 English beading needles, and Czech size 11/0 seed beads, and Austrian crystal beads. It seems so worldly, yet other-worldly, our Elephant. It’s not our muse. It’s not our Cassandra. It has no secret plan or strategy. It does not depend on its size to make its point. It does not hesitate to stomp and chomp and clomp because the beads before it are raku or glass or gemstone or crystal or metal or plastic. But a Rogue Elephant in the middle of our craft room forces upon us a completely different logic, so that we can make sense of it all.|
CURRENT ROGUE ELEPHANT BLOG ARTICLES
The Types of Things You Need To Learn
In the classes we offer, these are the general learning goals for each student. For each goal, as the student progresses through our classes, there are beginner level concepts and applications, intermediate level concepts and applications, and advanced level concepts and applications.
1. Managing tension, whether using thread, cord, string or wire
2. Holding your piece to work it
3. Reading simple patterns, figures, graphs
4. Selecting appropriate materials
5. Identifying areas of potential weakness, and strategies for dealing with these
6. Determining measurements, including width and length of a piece, especially in relationship to bead and other component sizes
7. Extending your piece, such as adding thread or wire
8. Finishing off your piece and adding the clasp assembly
Understanding Craft Basis of Technique or Stitch
1. Starting the technique or stitch
2. Implementing the basic technique or stitch
3. Finishing off the basic technique or stitch
4. Learning variations on the technique or stitch
Understanding Art & Design Basis of Technique or Stitch
1. Learning implications when choosing different sizes/shapes of beads or
other components, or using different stringing materials
2. Understanding relationship of the technique or stitch in comparison to
other techniques or stitches
3. Understanding how bead asserts its need for color
4. Creating your own design with this technique or stitch, in reference to
jewelry design principles of composition
5. Creating shapes, components and forms with this technique or stitch, and
6. Building in structural supports, and other support elements, into the design
Becoming a Bead Weaving or Jewelry Making Artist
1. Developing a personal style
2. Valuing or pricing your work
3. Teaching others the technique or stitch
4. Promoting yourself and your work
5. Advocating for jewelry as "Art" and as "Design"
COPYRIGHT, 2011, FELD
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Land of Odds provides bead and jewelry making artists with virtually all their beads, supplies,
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Home of The Ugly Necklace Contest-A Jewelry Design Competition With A Twist, The Illustrative Beader: Beaded Tapestry
Competition, and of All Dolled Up: Beaded Art Doll Competition.