The last class in the Contemporizing Etruscan Jewelry Workshop focuses on creating components and then organizing them into various design arrangements. Each arrangement is evaluated in terms of where on the Traditional-thru-Contemporary scale they might fall. And each is discussed in terms of the design elements and design principles learned earlier in the week. Below are some arrangements we have come up with.

	Linear Butterflies head to head and tail to tail Cabs laid horizontal and vertical
	Linear Butterflies at odd angles Cabs laid at diagonal
	Linear Butterflies at odd angles, but slight variation in arrangement from image above Cabs laid at diagonal
	Linear Butterflies positioned in same direction, with vertical organization Cabs laid vertically
	Linear Butterflies at different angels Cabs laid vertically
	Somewhat dimensional Butterflies overlapping each other, 3 facing left, and 3 facing right Cab centered vertically
	Linear Butterflies in same position Cabs centered and laid horizontally
	Linear Butterflies go head to head and tail to tail Cabs both vertical and horizontal
	Linear Butterflies angled Cabs on diagonal
	Somewhat dimensional Butterfly and cab combined as "component" Buttefly head overlaps cabochon Cabochon/Butterfly simultaneously presents both horizontal and vertical position
	Attempt at dimensionality Two butteflies overlap a centered cabochon, and thus the "component" is expanded to butterfly/cab/butterfly. Cabs positioned vertically within "component", but horizontally outside "component".
	Linear, with attempt to "break the straight line" Butterflies positioned in various directions Cabs laid both horizontally and vertically
	Linear, with an attempt to work "wider" and "broader" Butterflies position in same direction> Cabs arranged in horizontal line
	Same as image above, except that each row of butterflies is arranged in opposite directions
	Linear Butterflies tilted slightly, but lined up in same direction Cabs arranged in horizontal line
	Linear, with attempt to break "straight line" by the positioning of the cabs Butterflies face in both directions Cabs arranged in more complex pattern
	Linear Butterflies positioned at angle, but arranged in same direction No cabochons used
	Linear, with attempt to break "straight line" Butterflies arranged in alternating and staggered pattern No cabochons used
	Linear, with attemp t to break "straight line" Butterflies arranged in more complex pattern, with a central butterfly seemingly trying to break from the pack No cabochons used
	Linear, with attempt to break the "straight line" and start to become a curvilinear line Butterflies arranged at different angles, but all have heads up and tails down Two cabs positioned at competing diagonal angles
	Curvilinear Butterflies arranged at different positions and angles Cabs arranged at slightly different, though primarily vertical, angles
	Curvilinear Butterflies positioned at different angles and head/tail reference points No cabs used
	Curvilinear Butterflies positioned at different angles and head/tail reference points Cabs arranged at different angles
	Generally linear Attempt to break up the "straight line of cabs" Butterflies positioned at different angles and orientations Center with two cabs connected
	Linear Butterflies arranged at different angles, but in symmetrical arrangement Cabs oriented along bottom of bracelet instead of center line
	Same as above, except orientation of butterflies is altered
	Same as above two, excpet more cabochons added along top
	Linear Alternating orientation for butterflies No cabochons
	Same as above, except one cabochon is added in center Cabochon is surrounded by olive green beads
	Same as above, except the color of the beads surrounding the cabochon is marigold
	Same as above, except the color of the beads surrounding the cabochon is rose
	Same as above, except the color of the beads surrounding the cabochon is purple
	Linear Head-to-head butterflies Horizontally lined up cabochons
	Circu-linear Butterflies oriented up and down and left and right 4 cabochons laid out horizontally and one vertically
	Similar to above, but center vertically-oriented butterflies are repositioned 4 cabochons laid out horizontally and one vertically
	Attempt to break the "line" Fan of butterflies anchored to cabochon 3 additional butterflies oriented differently from one another Cabochons oriented differently from one another
	Similar to above with the fan of butterflies. Other butteflies and cabochons laide out in different arrangement
	Heavy on the "cabs" Linear Single butterflie Cabochons laid out in horizontal path
	Linear Some variation in orientation of butteflies, but not of cabochons
	Some curvi-linear, with cabs attached to top of butterfly or bottom, to create a downward diagonal Cabs positioned linearly
	Attempt to break the "line" Butterflies overlapped, and oriented in different directions Cabs all oriented vertically
	3-Dimensional, where top of butterfly rests on top of cabochon One Butterfly and one cabochon are "combined" into a single component, and these butterfly/cab components are arranged linearly.
	Similar to above, except that center butterfly is flat, not 3-dimensional, and not merged with a cab as a single component
	Similar to above, except that flat butterfly is oriented at an angle, instead of straight up and down
	3-Dimensional, yet linear Merged butterfly/cab components arranged along a linear pathway, but alternates with top/down orientaton of butterfly This also creates a step-up/step-down sequencing of the cabochon part of the merged components
	Similar to above, but attempt to break the "line"
	Linear with strong diagonal elements in the arrangement of butterflies and cabochons
	Linear with some diagonal elements in the arrangement of the butterflies and cabochons
	Linear Attempt to merge two butterflies into a "single component", but seems to lose sense "butterfly".